Moon Gallery

Eva Petrič

Moon Bound

Artist's Statement: Eva Petrič

Overview Effect Earth Memory ISS Life Satellite
WRITTEN BY Eva Petrič
PUBLISHED 01.10.2025

In place of a statement, Eva has chosen to contextualise her MoonBound submission by sharing other works that form part of her personal journey through space art. These images place her poem in the context of a wider body of work that reflects upon Earth’s relationship to the Moon and space.

"When I Look Down at Earth"

This image is from my multimedia performance We Are Like Butterflies, performed recently at the Ljubljana Festival (July 15 2025). The performance reflects on our human presence on Earth — a poetic meditation on fragility, interconnectedness, and the (in)visibility of the human condition. It reminds us of the beauty and necessity of art in public space — and eventually, on the Moon.

Photo: Darja Stravs Tisu (@darjastisu)

The performance uses as a backdrop my artwork World Embryo, also shown here in Piran, Slovenia, as We All Share the Same Air, which depicts Earth as a delicate yet structurally stable lace assemblage. Made from recycled, donated handmade lace doilies from around the world, the piece is combined with projections, sound, performance, and even scent, to evoke the so-called Overview Effect — that profound shift in perception astronauts experience when viewing Earth from space. I hope this artwork similarly helps viewers realize how interconnected everything on our planet is, how every action generates a reaction: When one thread tears, all the threads resonate, and the pattern readjusts; changes.

"I Have No Borders to Declare"

Photo: Darja Stravs Tisu

Also taken during We Are Like Butterflies, and featured in my video clips from the performance Eden, Retransplanted, this image shows my work I Have No Borders to Declare. It depicts Earth and its continents covered in overlapping shadows — evoking human traces that shift, move, appear, and disappear. They represent our impact — both beautiful and destructive — on the only planet we have. The spoken text “I See” from the Moon Bound artefact is also performed in these video clips.

"Earth’s Three Phases"

Awarded the Utazu Biennale Prize, Japan 2025, this work shows Earth evolving in three phases as seen from the Moon — its cycle intertwined with lunar rhythms. Whether we accept it or not, Earth is bound to the Moon. The piece also reflects on environmental destruction through satellite imagery of deforestation in Borneo, rendered in a “bleeding” visual language.

Earthling Tattoo Seal

My miniature artwork that spent one year aboard the ISS, orbiting Earth 420 km above. It inspired me to wonder how the Moon perceives Earth — and us — from even farther away.

"Earthling" (Enlarged 9-meter version)

Installed at Kollegienkirche in Salzburg, Austria, in 2025, this 9-meter lace figure invites viewers to see their reflection within it and to search for a new identity — one that acknowledges territory, interconnectivity, and awareness reaching beyond Earth into the realms of plant, animal, and planetary life.

About the author

Eva Petrič, born in Slovenia, based as an independent artist in Vienna, lives and works between New York City, Vienna, and Ljubljana, creating works in photography, video, performance, multimedia installation, and writing. In New York, Eva is presented by Galerie Mourlot – New York. She holds a BA in psychology and visual arts from Webster University Vienna, and an MFA in new media, from Transart Institute New York /Berlin/Danube University Krems. Her art has been shown in over 110 solo and 145 group exhibitions all over the world, receiving numerous recognitions and awards. More about Eva Petrič’s art: www.eva-petric-evacuate.com